AN HOUR AFTER SUNSET, most photographers are packing up their gear and heading to a nice hot meal and a warm bed, but not me. I’ve waited all day for the sun to dip over the horizon, and now it’s time to grab my camera bag and start hiking.
Typically, I will scout a location during the day, looking for unique angles, perspectives, and subjects to shoot, with a vision in mind of how it will look at night. I examine the subject: will I be able to illuminate it with a light (like a tree, for example) or is it too far away or too difficult to light, in which case it’ll remain completely black in the photo (for example, a distant canyon or desert tower)? Next, I think about how I’ll compose the photo during the dark of night. A composition that looks great in the sunlight isn’t necessarily one that works at night. Then, I think about how the lighting will affect the subject, where the Milky Way will be in relationship to the subject, at what angle the moon will appear (if at all that evening), where light pollution from nearby cities might show up in the photo, and countless other elements that don’t need to be accounted for in your standard daytime travel photography.Finally, there’s the matter of actually finding the subject you scouted during the day. Imagine you’re walking around a vast desert and spot the perfect tree in the distance. It’s guaranteed to make a memorable night shot — but it’s still a lone tree in a wide-open desert. The second the sun goes down and you’re walking around in pitch black with a headlamp that only gives you a 10′ visual in any direction, the simple act of finding that tree might well be the most challenging task of the night.
There are so many factors, so many challenges that come into play with night photography, that when you finally do capture the perfect night shot, it’s that much more rewarding.
This photo was taken from Annapurna Base Camp in Nepal. I spent the night standing outside in sub-zero temps, waiting for the moon to be at just the right angle to illuminate the massive 8,167-meter peak. Here, the only reliable form of illumination for the landscape was the moonlight. On a moonless night, the mountains would have been lost: black silhouettes against the starry night in the background.
As I was shivering for hours in the cold dark night, I had to do jumping jacks between shots to keep warm. I accepted it as part of the dedication required to get the great night shot above.
Experiment with light.
This shot was taken at Double Arch in Arches National Park, Utah. The particular formation was difficult to illuminate evenly because the top of the arch reaches 148 feet high. Its height means it requires significantly more light painting at the top than the lower portions of the arch to achieve an even spread of light.
Get familiar with your surroundings.
I spent several days hiking around Fitz Roy in Chile in search of great night photography locations. I stumbled on this tree halfway up the eight-mile trek to the mountain’s base. I knew it was going to be a challenge finding the tree in the night, so I made sure to memorize nearby landmarks to help find my way.
At midnight, I started hiking and quickly realized it was a terrifying experience to try to keep track of the tiny footpath that wandered through the woods for miles, alone in the dark. After about two hours, I finally began to recognize the landmarks I’d memorized earlier in the day and managed to capture one of my favorite night sky images to date.
Interact with the scene.
There are several techniques for night photography — some more pure and natural than others. While many of my shots only incorporate natural features of the landscape, I wanted to add a human element to this night shot. The idea in my mind represented the symphony of man and nature, the integral relationship between us and the natural world we live in and the interconnectedness of mankind with our environment.
I searched long and hard for a subject that could portray this message. The tree I found, shaped by years of relentless winds on the rim of the Black Canyon in Gunnison, was perfect for the shot.
Plan for spontaneity.
Sometimes everything comes together and no amount of planning could have created a more perfect photograph. I spent the night photographing Delicate Arch in Utah, getting images of the arch in contrast with the Milky Way behind it. As I was just about to leave, I thought it would be fun to get a self-portrait in the setting I love most — outdoors, lost in the vastness of nature and night. I set up my camera and light, set off the trigger, and quickly ran under the arch to stand for this image.
I had no idea how it would turn out, but when I returned home and downloaded the image to my computer, I saw that everything had come together by chance to create this compelling night shot.
This is the article I recently wrote for MatadorU, I hope you enjoyed it! You can see the original here